RAFFAELLO Sanzio
Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,

   1 2 3 4 5 6 7 8 9 10  
 
 Prev Artist   Next Artist 

RAFFAELLO Sanzio Madonna with the Book (Connestabile Madonna)  dy oil painting


Madonna with the Book (Connestabile Madonna) dy
1504 Tempera on canvas transferred from wood, diameter 17,9 cm The Hermitage, St. Petersburg
Painting ID::  8723
RAFFAELLO Sanzio
Madonna with the Book (Connestabile Madonna) dy
1504 Tempera on canvas transferred from wood, diameter 17,9 cm The Hermitage, St. Petersburg
   
   
     

RAFFAELLO Sanzio St George and the Dragon st oil painting


St George and the Dragon st
1505-06 Oil on wood, 28.5 x 21.5 cm National Gallery of Art, Washington
Painting ID::  8725
RAFFAELLO Sanzio
St George and the Dragon st
1505-06 Oil on wood, 28.5 x 21.5 cm National Gallery of Art, Washington
   
   
     

RAFFAELLO Sanzio St Michael and the Dragon sdr oil painting


St Michael and the Dragon sdr
c. 1505 Oil on wood, 31 x 27 cm Mus??e du Louvre, Paris
Painting ID::  8726
RAFFAELLO Sanzio
St Michael and the Dragon sdr
c. 1505 Oil on wood, 31 x 27 cm Mus??e du Louvre, Paris
   
   
     

RAFFAELLO Sanzio Young Man with an Apple oil painting


Young Man with an Apple
1505 Oil on wood, 47 x 35 cm Galleria degli Uffizi, Florence
Painting ID::  8727
RAFFAELLO Sanzio
Young Man with an Apple
1505 Oil on wood, 47 x 35 cm Galleria degli Uffizi, Florence
   
   
     

RAFFAELLO Sanzio Portrait of a Woman (La Donna Gravida) drty oil painting


Portrait of a Woman (La Donna Gravida) drty
1505-06 Oil on panel, 66 x 52 cm Galleria Palatina (Palazzo Pitti), Florence
Painting ID::  8728
RAFFAELLO Sanzio
Portrait of a Woman (La Donna Gravida) drty
1505-06 Oil on panel, 66 x 52 cm Galleria Palatina (Palazzo Pitti), Florence
   
   
     

         1  2  3  4  5  6  7  8  9  10   
Prev Artist       Next Artist     

     RAFFAELLO Sanzio
     Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,

Xiamen China Wholesale Stretched Oil Paintings Wholesale Picture Frames,Photo Frames, Moulding Beveled Mirrors

http://www.chinaoilpainting.com

China Oil Painting Studio Team